Public engagement is essential to Open Set’s mission and is integrated into all curriculum
expanding dialogues is at the heart of what we do.
In symposia, conferences, and lectures, we present the results of our research and invite wider audiences into our intellectual boxing ring.
Our contemporary society is characterized by a growing uncertainty about the future in reaction to climate change, geopolitical shifts, ongoing scientific breakthroughs, the acceleration of new technologies and the pervasiveness of social media. These are just a few factors that are having an impact on the present, on the understanding of ourselves, the world around us, and the future, on the reinterpretation of heritage and on our vision of tomorrow. The Symposium Memories of the Future explored how the notion and perception of memory can be used to stimulate diverse futuristic approaches. How can we activate memory for the future? Is the future set for us by predetermined cultural reference frameworks? Or are memory and heritage, as well as the future, concepts that can be open to a public debate?
The invited experts related the theme to emerging (virtual and physical) environments and tools, and discussed the theme's influence on emerging forms of social interactions, relationships and aesthetics.
René Boer: Failed Architecture (NL), Josephine Bosma, journalist and critic (NL), Max Bruinsma, independent design critic (NL), Theo Deutinger: TD Architects (AT), Prof. dr. Ben Schouten: TU Eindhoven, Chair, Design of Intelligent Systems of Playful Interactions (NL).
The symposium is a collaboration between Open Set and the Institute of Network Cultures.
Kicking-off the 2016 session was Intermedia Theater, one of the Leeum Museum’s cross-disciplinary programmes, a symposium co-organised by the Leeum Museum, the Samsung Museum of Art and Foundation Open Set, within the framework of Open Set Dutch Design Seoul Sessions.
The Intermedia Theater's theme for 2016 was World Citizenship. Art is one of the most transnational fields, and it can powerfully raise our awareness of living in a globalized world. The issues that we have to think about together with our contemporaries across the globe cover politics, economy, culture, science, and more. The ways art deals with these topics can stretch space and create a context for the past and the future to co-exist, thus evoking universal empathy.
During the last two weeks of February 2016 Open Set traveled to Seoul to offer a special programme under the title Memories of the Future. The phrase is also the title of a work by Laurent Grasso from the Leeum Museum’s collection installed on the exterior wall of MUSEUM 2, the contemporary art building of the museum complex. The work consists of nineteen neon letters that form an oxymoronic term betraying the idea that memories are only about the past, and from the first to the last letter, the palette gradually fades from dark to light in a blue tone, obscuring spatial boundaries. Memories of the Future, a title in plurality, conjoined the Leeum Museum and Open Set in an attempt to figure out how contradictory things can correspond to each other and to lay open invisible and indeterminate relationships.
Kim Sang-kyu: Seoul National University of Science and Technology (KR), Jeroen Barendse: Studio Lust (NL), Annelys de Vet: Studio DEVET, Sandberg Instituut (NL), Koert van Mensvoort: Next Nature Network (NL), Moon Kyungwon & Jeon Joonho (KR).
What is the distinct character of the design practice in the Netherlands? How has the identity of Dutch Design been influenced by the cultural heritage of the Netherlands, as well as by Dutch social, political and economic developments? What shapes its present and future?
The conference welcomes designers from the Netherlands, who will address these questions from the perspective of research, education, editing, critique and design practice. They will be joined by their colleagues from Seoul to respond to the inquiry into the past, present and future of the design profession in the international context and specifically — in South Korea.
The themes of the CA Korea — Open Set Conference are complemented by its location — the recently opened Dongdaemun Design Plaza. DDP is a centrally located landmark designed by Zaha Hadid Architects that incorporates Korean tradition and the future of ever-changing design.
Max Bruinsma (NL), designers Floris van Driel (NL), Alfons Hooikaas (NL) & Jaewon Seok (KR), Mirte van Duppen (NL), Nuankhanit Phromchanya (TH/NL).
The symposium Designing Experience was part of the 4th edition of Open Set Summer School and was hosted by Kunstblock in Rotterdam.
The speakers explored the theme Designing Experience: Moment — Stage — Memory from artistic, curatorial, scientific and academic perspectives, and addressed the questions: what does it mean to mediate new experiences, and what form can it take? What is the social and ethical impact of these new experiences?
Max Bruinsma (NL), Dennis Elbers: Graphic Design Festival Breda (NL), Jacqueline Heerema (NL), Christine Boshuijzen-van Burken: Dutch Research School for Philosophy (OZSW), Linnaeus University, Sweden (NL) and Florian Cramer (NL).